Widowland

Widowland

By C. J. Carey
Unabridged
100% overall 1 rating. Go to reviews
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“Storytelling at its best! I rarely come across a book I can’t put down but I devoured this one. It was The Handmaid’s Tale but even more closely tied to the reality of our world, showing what happens to women under a totalitarian regime.”

Rhys Bowen, New York Times bestselling author

An alternative history with a strong feminist twist, perfect for fans of Robert Harris’s Fatherland, Christina Dalcher’s Vox, and the dystopian novels of Margaret Atwood

To control the past, they edited history. To control the future, they edited literature.

London, 1953, Coronation year—but not the Coronation of Elizabeth II.

Thirteen years have passed since a Grand Alliance between Great Britain and Germany was formalized. George VI and his family have been murdered, and Edward VIII rules as King. Yet, in practice, all power is vested in Alfred Rosenberg, Britain’s Protector. The role and status of women is Rosenberg’s particular interest.

Rose Ransom belongs to the elite caste of women and works at the Ministry of Culture, rewriting literature to correct the views of the past. But now she has been given a special task.

Outbreaks of insurgency have been seen across the country: graffiti daubed on public buildings. Disturbingly, the graffiti is made up of lines from forbidden works, subversive words from the voices of women. Suspicion has fallen on Widowland, the run-down slums where childless women over fifty have been banished. These women are known to be mutinous, for they have nothing to lose.

Before the Leader arrives for the Coronation ceremony of King Edward and Queen Wallis, Rose must infiltrate Widowland, find the source of this rebellion, and ensure that it is quashed.

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  1. Odin
    Overall Liked it

    History seen a new way

    Depicting the UK in such a different light from the historical way we've been informed over our school years was a thought provoking twist. Depicting the post-war defeat of Britain from a femal POV sets the story in a riveting listen, voiced so well by Esther Wane. Dealing with the thought of what would a society gain or lose if women were divided into 6 different classes with older women being banished? Carey has asked us to consider an alternate to World War ll where Germany’s attitude and treatment of women carried over into a What If in postwar Britain. Often reminding one of a lecture in college form, Carey reveals rules and regulations of this kind of regulated country, the reader/listener is likely to find themselves in a strangely haunting mind set. For many, this will be a compelling listen and a valuable lesson in female influenced world far above men.

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