Outline

The Outline Trilogy - Book 1

Outline


Unabridged

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“Brilliant…These ten remarkable conversations, told with immense control, focus a sharp eye on how we discuss family and our lives.”

Publishers Weekly (starred, boxed review)


A luminous, powerful novel that establishes Rachel Cusk as one of the finest writers in the English language.

A man and a woman are seated next to each other on a plane. They get to talking—about their destination, their careers, their families. Grievances are aired, family tragedies discussed, marriages and divorces analyzed. An intimacy is established as two strangers contrast their own fictions about their lives.

Outline is a novel in ten conversations. Spare and stark, it follows a novelist teaching a course in creative writing during one oppressively hot summer in Athens. She leads her students in storytelling exercises. She meets other visiting writers for dinner and discourse. She goes swimming in the Ionian Sea with her neighbor from the plane. The people she encounters speak volubly about themselves: their fantasies, anxieties, pet theories, regrets, and longings. And through these disclosures, a portrait of the narrator is drawn by contrast, a portrait of a woman learning to face a great loss.

Outline takes a hard look at the things that are hardest to speak about. It brilliantly captures conversations, investigates people’s motivations for storytelling, and questions their ability to ever do so honestly or unselfishly. In doing so it bares the deepest impulses behind the craft of fiction writing. This is Rachel Cusk’s finest work yet and one of the most startling, brilliant, original novels of recent years.

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  1. Pražská Čajovna
    Verified listener

    Like being stuck by a bore at a dinner party

    I have heard a lot about this author and listened (with pleasure, I think) to an episode of the New Yorker Fiction podcast in which she read and discussed the work of another author. But I find this audiobook almost unlistenable. There is a context for this. I grew up in Britain and moved away. There is a certain prissily superior middle class tone of voice that I can't stand. This narrator nails it. It's hard to tell if the tone of narration smothers the tone of the work - I find it's sometimes necessary to pick up the physical book to get a real sense - but here and there there are signs that the tone is a good fit a good fit. Overall I feel like I am stuck at an abominable dinner party (I don't like them at the best of times), sat next to an embittered doctor's wife obsessed by society gossip. I haven't finished it and may not do so.