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“Johnson has brilliantly plumbed the mystical and the macabre…The Laughing Monsters
delivers a more commercial, post-9/11 tale…without losing Johnson’s
essentially poetic drive…With each twist, Johnson deftly ups the
stakes…This
visionary novel is always falling together, never apart. That’s
Johnson.”
Elle
Among longlisted titles for The Guardian (UK) Best Books of the Year, 2014
Among longlisted titles for New York Times Book Review Notable Books of the Year, 2014
Among longlisted titles for Time Magazine Top 10 Books of the Year, 2014
Among longlisted titles for Washington Post Best Books of the Year, 2014
Among longlisted titles for Amazon.com Best Books of the Year, 2014
Among longlisted titles for Los Angeles Times Holiday Books Guide, 2014
Denis Johnson's New York Times bestseller, The Laughing Monsters, is a high-suspense tale of kaleidoscoping loyalties in the post-9/11 world that shows one of our great novelists at the top of his game.
Roland Nair calls himself Scandinavian but travels on a U.S. passport. After ten years' absence, he returns to Freetown, Sierra Leone, to reunite with his friend Michael Adriko. They once made a lot of money here during the country's civil war, and, curious to see whether good luck will strike twice in the same place, Nair has allowed himself to be drawn back to a region he considers hopeless.
Adriko is an African who styles himself a soldier of fortune and who claims to have served, at various times, the Ghanaian army, the Kuwaiti Emiri Guard, and the American Green Berets. He's probably broke now, but he remains, at thirty-six, as stirred by his own doubtful schemes as he was a decade ago.
Although Nair believes some kind of money-making plan lies at the back of it all, Adriko's stated reason for inviting his friend to Freetown is for Nair to meet Adriko's fiancée, a grad student from Colorado named Davidia. Together the three set out to visit Adriko's clan in the Uganda-Congo borderland—but each of these travelers is keeping secrets from the others. Their journey through a land abandoned by the future leads Nair, Adriko, and Davidia to meet themselves not in a new light, but rather in a new darkness.
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In my opinion Denis Johnson is at his best when he keeps his stories lightning quick, staying away from too much narrative and as a result this one stands up with Jesus' Son and Nobody Move, but topically it's quite different. Johnson may be the best American writer working today.
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