Zeroville

Zeroville


Unabridged

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“Erickson pours his encyclopedic knowledge of 1970s Hollywood into this funny, unnervingly surreal page-turner…Every page will set off fireworks in any movie lover’s head.”

Newsweek


Washington Post Best Book

Newsweek Best Book

Los Angeles Times Best Book

On the same August day in 1969 that a crazed hippie "family" led by Charles Manson commits five savage murders in the canyons above Los Angeles, a young ex-communicated seminarian arrives with images of Elizabeth Taylor and Montgomery Clift—"the two most beautiful people in the history of the movies"—tattooed on his head. At once childlike and violent, Vikar is not a cineaste but "cineautistic," sleeping at night in the Roosevelt Hotel where he's haunted by the ghost of D. W. Griffith. Vikar has stepped into the vortex of a culture in upheaval: strange drugs that frighten him, a strange sexuality that consumes him, a strange music he doesn't understand. Over the course of the seventies and into the eighties, he pursues his obsession with film from one screening to the next and through a series of cinema-besotted conversations and encounters with starlets, burglars, guerrillas, escorts, teenage punks, and veteran film editors, only to discover a secret whose clues lie in every film ever made.

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  1. Odin
    Overall Liked it

    Extraordinary

    Calling upon his conviction that the chronology of memory is as important as the chronology of calendar in revealing character and plot, author Steve Erickson provides Mr. Pinchot a unique lexicon of text to read, interpret, and most importantly, to truly dramatize with the unique rhythms and tempos that deliver this masterful excursion into the surreal and often obsessive culture of Hollywood as (pardon the cliché) as a compelling “page-turner.” As Mr. Erickson is known as being highly influenced by Faulkner’s writings, and in particular his sense of “time,” such persuasive impact influences the “Zeroville” story, conveying not only a unique projection of cinema art imitating life, and life imitating art, but a compelling argument for accepting the past and future as simultaneously existing now. I can’t rave enough about Mr. Pinchot’s creative ability, especially in the first 5 minutes of Chapter 105 allowing the book’s extraordinary actor/reader to climb into the inner-life of a character and make the listener believe there is no make-believe story here, only a personal reality made universal in its metaphoric power. James Franco, presently starring and directing the film version of “Zeroville,” will have a formidable challenge to exceed the brilliance of Bronson Pinchot and his one-man depiction of this extraordinary chronicle of film culture.