
A Partisan's Daughter
Read by
Sian Thomas,
Jeff Rawle
Release:
10/07/2008
Runtime:
5h 55m
Unabridged
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A wise and moving novel, perfectly accomplished. It shines fresh light on the nature of love . . . Like Ian McEwan’s On Chesil Beach, A Partisan’s Daughter is a novel about missed opportunities and wrong paths taken, tracing the way in which one false move can alter the history of a life . . . A glory.
The Guardian
“How do you follow up Corelli’s Mandolin, one of the most successful British novels of all time? . . . A Partisan’s Daughter, although also revolving around politics, history and romance, is very much a departure. Yet it is a triumph–a finely-executed little masterpiece.
“How do you follow up Corelli’s Mandolin, one of the most successful British novels of all time? . . . A Partisan’s Daughter, although also revolving around politics, history and romance, is very much a departure. Yet it is a triumph–a finely-executed little masterpiece.
From the acclaimed author of Corelli’s Mandolin and Birds Without Wings comes an intimate new novel, a love story at once raw and sweetly funny, wry and heartbreakingly sad.
He’s Chris: bored, lonely, trapped in a loveless, sexless marriage. In his forties, he’s a stranger inside the youth culture of London in the late 1970s, a stranger to himself on the night he invites a hooker into his car.
She’s Roza: Yugoslavian, recently moved to London, the daughter of one of Tito’s partisans. She’s in her twenties but has already lived a life filled with danger, misadventure, romance, and tragedy. And although she’s not a hooker, when she’s propositioned by Chris, she gets into his car anyway.
Over the next months Roza tells Chris the stories of her past. She’s a fast-talking, wily Scheherazade, saving her own life by telling it to Chris. And he takes in her tales as if they were oxygen in an otherwise airless world. But is Roza telling the truth? Does Chris hear the stories through the filter of his own need? Does it even matter?
This deeply moving novel of their unlikely love–narrated both in the moment and in recollection, each of their voices deftly realized–is also a brilliantly subtle commentary on storytelling: its seductions and powers, and its ultimately unavoidable dangers.
He’s Chris: bored, lonely, trapped in a loveless, sexless marriage. In his forties, he’s a stranger inside the youth culture of London in the late 1970s, a stranger to himself on the night he invites a hooker into his car.
She’s Roza: Yugoslavian, recently moved to London, the daughter of one of Tito’s partisans. She’s in her twenties but has already lived a life filled with danger, misadventure, romance, and tragedy. And although she’s not a hooker, when she’s propositioned by Chris, she gets into his car anyway.
Over the next months Roza tells Chris the stories of her past. She’s a fast-talking, wily Scheherazade, saving her own life by telling it to Chris. And he takes in her tales as if they were oxygen in an otherwise airless world. But is Roza telling the truth? Does Chris hear the stories through the filter of his own need? Does it even matter?
This deeply moving novel of their unlikely love–narrated both in the moment and in recollection, each of their voices deftly realized–is also a brilliantly subtle commentary on storytelling: its seductions and powers, and its ultimately unavoidable dangers.
Release:
2008-10-07
Runtime:
5h 55m
Format:
audio
Weight:
0.0 lb
Language:
English
ISBN:
9781415954447
Publisher:
Penguin Random House
Praise
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