A Tale for the Time Being

A Tale for the Time Being


Unabridged

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“As we read Nao’s story and the story of Ozeki’s reading of it, as we go back and forth between the text and the notes, time expands for us. It opens up onto something resembling narrative eternity…page after page, slowly unfolding. And what a beautiful effect that is for a novel to create.”

NPR’s All Things Considered (audio review)


Among shortlisted titles for Man Booker International Prize, 2013

A brilliant, unforgettable, and long-awaited novel from bestselling author Ruth Ozeki

“A time being is someone who lives in time, and that means you, and me, and every one of us who is, or was, or ever will be.”

In Tokyo, sixteen-year-old Nao has decided there’s only one escape from her aching loneliness and her classmates’ bullying. But before she ends it all, Nao first plans to document the life of her great grandmother, a Buddhist nun who’s lived more than a century. A diary is Nao’s only solace—and will touch lives in ways she can scarcely imagine.

Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao’s drama and her unknown fate, and forward into her own future.

Full of Ozeki’s signature humor and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.

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  1. Marianne
    Overall Liked it
    Verified listener

    Big Novel, Big Questions

    I was drawn to this audiobook initially because I typically like novels about Japanese life and culture. And after reading all of the hype about how great Ruth Ozeki’s newest novel was, I definitely had high expectations. “A Tale for Time Being” did not disappoint. Philosophical, funny, surreal, and suspenseful, this novel manages to balance a mélange of genres and moods. The book is truly two stories—one about a Japanese school girl and the other about a middle-aged writer in Canada—that converge in the form of a Hello Kitty diary. What really makes this novel is the story of Nao—a curious, defiant teenage girl who is planning, tragically (yet also, somehow, lightheartedly), her own suicide. Ozeki’s rendering of her is so real that I almost believed that Nao was living, breathing human being. And then there’s old “old Jiko”—Nao’s 104-year-old Zen Buddhist (and feminist) great-grandmother—who deserves a novel entirely unto herself. The parallel story of Ruth—a novelist living on a remote island who discovers Nao’s diary washed up on shore—is also interesting, but it just doesn’t have the same vitality (hence the four stars). It’s a big novel that asks big questions—reality, suicide, honor, religion, family, and, most poignantly, the interconnectivity between reader and writer. It’s a novel that makes you think—resurfacing here and there, long after finishing. And this, in my opinion, is a very good thing. A definite read for anyone who enjoys literary fiction or those interested in Japanese culture.