Heft

Heft


Unabridged

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“This is the real deal, Liz Moore is the real deal—she’s written a novel that will stick with you long after you’ve finished it.”

Russell Banks, Pulitzer Prize finalist


A Kirkus Reviews “New and Notable Title”

An Indie Next List Pick

An iTunes Best Audiobook of the Year

An ALA Listen List for Outstanding Audiobook Narration

A heartwarming novel about larger-than-life characters and second chances

Former academic Arthur Opp weighs 550 pounds and hasn’t left his rambling Brooklyn home in a decade. Twenty miles away in Yonkers, seventeen-year-old Kel Keller navigates life as the poor kid in a rich school and pins his hopes on what seems like a promising baseball career—if he can untangle himself from his family drama. The link between this unlikely pair is Kel’s mother, Charlene, a former student of Arthur’s. After nearly two decades of silence, it is Charlene’s unexpected phone call to Arthur—a plea for help—that jostles them into action. Through Arthur and Kel’s own quirky and lovable voices, Heft tells the winning story of two improbable heroes whose sudden connection transforms both their lives. Like Elizabeth McCracken’s The Giant’s House, Heft is a novel about love and family found in the most unexpected places.

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  1. Rogue Writer
    Overall Liked it

    Loneliness, Hope, and Mastery of Perspectives

    This was one of my favorite books of 2012. Liz Moore did so many interesting things in this story of Arthur Opp, a 550-pound shut-in, and Kel, an 18 year old high school sports phenom. One woman ties their otherwise separate lives together: Charlene Turner, Kel’s mother and one-time penpal and love interest of Arthur. The theme of this book is loneliness. Arthur’s is obvious, as he has very little contact with anyone from the outside. Charlene’s stems from her addictions and from having failed to obtain her perceived potential. And despite being surrounded by peers who adore and admire him, Kel is consistently keeping true intimacy from forming with most of his friends because he doesn’t want them to know he’s the poor kid in a school filled with privileged youth. Each chapter switches perspective, rocking between Arthur and Kel. Liz Moore skillfully crafts two distinctly different voices for her two main characters. Narrators Kirby Heyborne as Kel and Keith Szarabajka as Arthur provide the perfect voicing for the characters and is a nice touch for the audio version. However, as enjoyable as it is, dual narration isn’t necessary to convey the different character voices because of how masterfully Liz Moore wrote the sections. She does this not only through diction, but also by switching tenses for Arthur and Kel. Arthur’s sections are told in past tense, which I felt illustrates how he lives in the past. Kel’s are told in the present tense, which reinforces the notion that he lives from day to day as most youth do, but especially those with limited prospects despite their immense talent. The print version reveals many other textual based techniques that set Arthur’s and Kel’s chapters apart. The way Arthur and Kel come together is told in a way that leads the listener to draw further conclusions about how they are connected, only to later have those assumptions overturned. One of the greatest criticisms about this book is that it ends without enough closure, without enough explanation as to what happens between and to Arthur and Kel. But that’s the way I like my books, when they leave some questions unanswered and allow the future to remain uncertain. I appreciate it when an author is fearless in her approach to storytelling and is intrepid in employing an experimental style. Liz Moore is just such an author. I hope she continues to do new and interesting things in the future.