Tancredi

Rossini’s comic operas, like The Barber of Seville, are generally better known than his tragedies— though he wrote many more tragedies than comedies, and his last, William Tell, is actually credited with launching the age of Grand Opéra. 

Tancredi is an early work—indeed, his first smash hit—and it established his international fame. It has all the youthful verve of the comedies allied to a sure dramatic sense, and several of the arias, including the famous “Di tanti palpiti,” are magnificent examples of the sort of virtuoso vocal writing that earns the title “bel canto,” or “beautiful singing.”